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Film Analysis: Band Frontman Jason Williamson Takes On Character in Sceptical Examination at Ecstasy Generation Era

Produced by Bristol sound co-founder Geoff Barrow, this scabrous if slight debut feature turns a sceptical eye on the ecstasy-fueled club scene. Self-serving drug user David (the actor) initially steals from an passed-out supplier, then in another flashback tries to break into his own family home. In no time, he's upside down in the wreckage of his car in a forest – and subject to the angry eye of the Woodsman (vocalist Jason Williamson). Declining to free David, with impatience toward townies, he is broken Britain embodied: “You’re one of those noisy cunts from up on the heath.”

A Shaky Start and Grimly Amusing Duel

Game gets off to a shaky start, lingering excessively on meticulously detailing David’s attempt to extricate himself from his seatbelt, while clumsily segueing into flashbacks of his everyday life. The central theme – that the rave-era youth were mainly focused on themselves – is clearly conveyed. But these brief episodes are too thin to properly prime us for what to expect when the Woodsman arrives, fuming after David strangles his dog. Nevertheless, a grimly amusing standoff takes hold – David desperate to escape; the Woodsman denying his container of scrumpy, intent on dousing him instead in embittered discourse. Williamson, projecting heavy threat in the role, is evocative of Michael Smiley.

Stylish Imagery and Music Video Sensibility

There is only one important plot development, but it leads to a comically executed chaotic run on the woodland paths that veers toward folk horror. Filmmaker John Minton at last unleashes with his ostentatious visuals: where he was hunkered down doing artful shots of bugs in headlights in the opening part, he now goes all out with the full lysergic grand display, accompanied by a frenzied keyboard rendition of Ravel’s Boléro. The movie resembles an elongated music video than a fully fledged drama, but there’s enough bold visuals to suggest that Minton could emulate Jonathan Glazer, Garth Jennings and others into making the leap from the Brit music promo scene.

The film releases in UK and Irish cinemas from 17 November.

The writer

Mark Jones

Riley is a passionate esports journalist with over five years of experience covering major tournaments and gaming culture.

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